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Positive mentality and value remolding in adversity-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.

In a word, "Falling red is not a heartless thing, but turning into spring mud protects flowers more", with its beautiful images, profound expressions, sincere feelings and superb artistic techniques, has become a famous sentence that has been celebrated through the ages, inspiring future generations to uphold their dedication and shine in different fields.In a deeper inspirational sense, "falling red is not a heartless thing, but turning into spring mud to protect flowers" reflects a belief of sticking to the original heart and perseverance. No matter how the external environment changes, no matter what difficulties and obstacles we encounter, just as falling red is always concerned with the growth of flowers, we should also stick to our original beliefs and pursuits and not be shaken by the temporary wind and rain. On the long road of pursuing dreams, we may leave the familiar "branches" and bid farewell to the comfortable environment, but the initial intention of bringing beauty to the world and realizing our own value should be deeply rooted in our hearts like the instinct of turning red into spring mud, and become the source of power for our continuous progress and dedication. It encourages us to keep a firm belief in the face of the ups and downs of life, to move towards the established goals, to walk step by step with dedication and dedication, and to prove the toughness and value of life with persistent efforts.Cycle after cycle, cycle after cycle.

The phrase "turn into spring mud to protect flowers more" highlights a lofty spirit of dedication. From an inspirational point of view, it inspires us to have a mind of self-transcendence and selfless dedication. Life should not only focus on one's own gains and losses, honor and disgrace. A truly great person is always willing to dedicate his accumulated knowledge, experience and strength to cultivate and support the latecomers and contribute to a greater cause after achieving a certain degree of personal growth. This kind of dedication is not to get rewards or praise from others, but out of deep yearning for good things and a sense of responsibility to promote the world to become a better place. It encourages us to break through the narrow self-limitation, realize a higher level of self-worth in dedication, make the meaning of life sublimate constantly in giving, and use our own "nutrients" to water the "flowers" of others' growth, so as to achieve self-transcendence on the road of dedication and write a more meaningful chapter in life.-Clever choice of images: the image of "falling red" in the poem, that is, falling flowers, is a dying thing, which is usually easy to remind people of the disappearance of beautiful things and the fall of life, with a sad and lonely color. However, the poet gave it a brand-new and positive meaning."Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem: